Shifting Realities
This body of work explores the instability of perception and the fragility of representation. Across different media, the projects examine how images, memory, and experience are mediated, displaced, and reconstructed.
Rather than treating reality as fixed, the work approaches it as a shifting field shaped by subjective perception. Obstacles, erosion, fragmentation, and reconstruction become mechanisms through which new realities emerge, equally constructed, yet equally real.
Some of the Ones I couldn't See, 2020 - 2023
This project emerges from a period of confinement in which direct access to the landscape was obstructed. Unable to witness sunsets firsthand, the work engages with their reflection on architectural surfaces, transforming physical barriers into mediating screens.
By operating through reflection rather than direct vision, the project examines how perception adapts to limitation. The landscape is no longer experienced as immediate presence, but as mediated construction. In this displacement, reality is reconfigured through memory, projection, and subjective reconstruction.
El desgaste de la memoria, 2021-2023
This project investigates the progressive degradation of images shared through digital platforms. By repeatedly circulating and compressing photographs until they become nearly unrecognizable, the work translates technological loss of resolution into conceptual erosion.
The visual deterioration becomes a metaphor for the dilution of ideas, discourse, and ideology through repetition. As content is endlessly reproduced, specificity dissolves into uniformity. The project situates memory and representation within systems of circulation where the construction of reality itself becomes increasingly unstable.
Vocal Waltz, 2023
This stop-motion work examines identity as a process shaped by relational movement. Through cycles of folding and unfolding, the project approaches the self not as fixed entity, but as configuration continuously influenced by proximity, intimacy, and interaction.
Rather than presenting identity as stable form, the work reveals it as fluid structure, contingent upon relational dynamics. Subjectivity emerges as unstable and adaptive, shaped by forces that continuously reshape its contours.
Untitled, 2022
Polaroid lift on cotton paper
15 X 15 cms.
Virgilio, (2020 - 2023)
This series reconstructs images through manual weaving, transforming photographic surfaces into tactile structures. Fragmentation and reassembly become acts of reconfiguration rather than distortion.
The process of weaving operates as both material and conceptual gesture: a deliberate attempt to construct alternate subjective realities grounded in lived experience. By shifting the image from digital immediacy to manual labor, the work foregrounds perception as an active force capable of shaping imagined futures.