{"id":1066,"date":"2026-02-12T01:47:01","date_gmt":"2026-02-12T01:47:01","guid":{"rendered":"https:\/\/sisellan.com\/index.php\/about\/"},"modified":"2026-03-20T15:50:29","modified_gmt":"2026-03-20T15:50:29","slug":"statement","status":"publish","type":"page","link":"https:\/\/sisellan.com\/es\/statement\/","title":{"rendered":"Postura Cr\u00edtica"},"content":{"rendered":"
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Postura Cr\u00edtica<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mi pr\u00e1ctica art\u00edstica investiga las infraestructuras que organizan la experiencia contempor\u00e1nea, como los sistemas econ\u00f3micos, las fronteras pol\u00edticas, las im\u00e1genes mediadas y los constructos sociales que modelan la percepci\u00f3n y asignan valor. Trabajo desde la tensi\u00f3n entre la posici\u00f3n de privilegio desde la cual observo y las desigualdades estructurales que definen los entornos que habito. Esa distancia no se resuelve; se convierte en el terreno de indagaci\u00f3n.<\/p>

Me interesa c\u00f3mo abstracciones como justicia, equidad, felicidad y progreso adquieren una apariencia de neutralidad, y c\u00f3mo su normalizaci\u00f3n transforma la experiencia vivida en datos, estad\u00edsticas o superficies simb\u00f3licas. Mi trabajo se centra en las fracturas donde esas abstracciones colisionan con el cuerpo, con el territorio y con la subjetividad.<\/p>

En lugar de ilustrar problem\u00e1ticas sociales, materializo los sistemas que las sostienen. A trav\u00e9s de la repetici\u00f3n, la acumulaci\u00f3n, la medici\u00f3n, la erosi\u00f3n y el desplazamiento, construyo situaciones en las que el valor econ\u00f3mico, la violencia pol\u00edtica y las narrativas mediadas recuperan peso y consecuencia. Para m\u00ed, la imagen no es un documento transparente, sino una infraestructura inestable, capaz de construir, distorsionar y erosionar la realidad simult\u00e1neamente.<\/p>

A trav\u00e9s de la fotograf\u00eda, la instalaci\u00f3n y la intervenci\u00f3n, concibo el arte como un campo experiencial m\u00e1s que como un objeto aut\u00f3nomo. El tiempo, la configuraci\u00f3n espacial, la presencia material y la implicaci\u00f3n del espectador se convierten en componentes estructurales de la obra. Me interesan los momentos de inestabilidad perceptual, cuando la certeza vacila, cuando la neutralidad revela su fuerza, cuando aquello que parece fijo expone su fragilidad.<\/p>

Reconozco que mi perspectiva est\u00e1 moldeada por condiciones sociales y econ\u00f3micas espec\u00edficas; por ello someto esa posici\u00f3n a escrutinio dentro del propio proceso creativo. No busco hablar por el \u201cotro\u201d, sino examinar los mecanismos, visibles e invisibles, que producen distancia, jerarqu\u00eda y exclusi\u00f3n.<\/p>

Mi pr\u00e1ctica se sit\u00faa en la intersecci\u00f3n inestable entre estructura y experiencia, donde las infraestructuras de poder se encuentran con los territorios de la subjetividad, y donde las realidades construidas comienzan a fracturarse.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Statement My artistic practice investigates the infrastructures that organize contemporary experience, including economic systems, political borders, mediated images, and social constructs that shape perception and assign value. I work from the tension between the position of privilege from which I observe and the structural inequities that define the environments I inhabit. That distance is not […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_cloudinary_featured_overwrite":false,"footnotes":""},"class_list":["post-1066","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/pages\/1066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/comments?post=1066"}],"version-history":[{"count":92,"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/pages\/1066\/revisions"}],"predecessor-version":[{"id":3582,"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/pages\/1066\/revisions\/3582"}],"wp:attachment":[{"href":"https:\/\/sisellan.com\/es\/wp-json\/wp\/v2\/media?parent=1066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}